The final step in organizing sound effects for submission to a sound effect library is pairing different types of data with each sound. This metadata, as it is called, lets prospective clients in on specific details concerning each sound. The seven most useful categories of metadata to be included in your sound effect catalog are listed below.
First, it is important to choose the correct format for creating your metadata document. Generally an .xls project is the best way to organize your library using each sound as a row and each category as a column. Such a document allows for easy sorting and searching according to type, time length, or SKU number.
1. Broad categories should be used for the first Main Category column such as Animals, Machinery, and Vehicles. Be as minimal as possible in picking the main categories for maximum simplicity and organization.
2. The next column, Sub-Category, should divide each main category into more specific types such as Vehicles:Cars, Vehicles:Trucks, Vehicles:Watercraft.
3. If you associate a SKU number of three letters unique to you, such as your initials, and five digits such as SFX00001_DogBark with each sound effect upon their creation your sounds will be perfectly organized. The sound to follow the above example would begin with SFX00002 and so on which assigns a totally unique identity to each sound. This numbering system alleviates confusion in the future should you have multiple Dog Barks and only organize them alphabetically.
4. Simply friendly titles such as Car Honk 1 are best for the Title category because they will be displayed for interested customers.
5. The Time Length is a valuable piece of information to include in your meta-data because longer sound effects and generally more valuable than shorter ones and the licensee should be able to tell right off the bat how much sound they are licensing.
6. The quality of each sample is given by stating the Track Info which includes stereo/mono information, the sample rate, the bit rate, and file type such as Mono 44.1k 16 bit Stereo .wav.
7. The importance of Keywords cannot be overlooks, as they are the main method by which interested licensees will find your sounds. Associated sounds, plurals of the sound, misspellings, and phrases should be used such as bird, birds, bird chirp, bird chips, fly, flying, nature, berds.
The next step after cataloging your sounds according to the above seven steps is submission to online distributors for sale of licensing rights.
First, it is important to choose the correct format for creating your metadata document. Generally an .xls project is the best way to organize your library using each sound as a row and each category as a column. Such a document allows for easy sorting and searching according to type, time length, or SKU number.
1. Broad categories should be used for the first Main Category column such as Animals, Machinery, and Vehicles. Be as minimal as possible in picking the main categories for maximum simplicity and organization.
2. The next column, Sub-Category, should divide each main category into more specific types such as Vehicles:Cars, Vehicles:Trucks, Vehicles:Watercraft.
3. If you associate a SKU number of three letters unique to you, such as your initials, and five digits such as SFX00001_DogBark with each sound effect upon their creation your sounds will be perfectly organized. The sound to follow the above example would begin with SFX00002 and so on which assigns a totally unique identity to each sound. This numbering system alleviates confusion in the future should you have multiple Dog Barks and only organize them alphabetically.
4. Simply friendly titles such as Car Honk 1 are best for the Title category because they will be displayed for interested customers.
5. The Time Length is a valuable piece of information to include in your meta-data because longer sound effects and generally more valuable than shorter ones and the licensee should be able to tell right off the bat how much sound they are licensing.
6. The quality of each sample is given by stating the Track Info which includes stereo/mono information, the sample rate, the bit rate, and file type such as Mono 44.1k 16 bit Stereo .wav.
7. The importance of Keywords cannot be overlooks, as they are the main method by which interested licensees will find your sounds. Associated sounds, plurals of the sound, misspellings, and phrases should be used such as bird, birds, bird chirp, bird chips, fly, flying, nature, berds.
The next step after cataloging your sounds according to the above seven steps is submission to online distributors for sale of licensing rights.
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