Associating data with your finished sound effects products is the final step before submitting your material to sound distributors. This data, called metadata, offers interested buyers information on each sound in your library. Details about the seven main types of metadata to be used when cataloging your sound effects follow.
First, it is important to choose the correct format for creating your metadata document. Generally an .xls project is the best way to organize your library using each sound as a row and each category as a column. Such a document allows for easy sorting and searching according to type, time length, or SKU number.
1. Broad categories should be used for the first Main Category column such as Animals, Machinery, and Vehicles. Be as minimal as possible in picking the main categories for maximum simplicity and organization.
2. The Sub-Category column is meant to break down each main category into various elements such as Animals:Birds, Animals:Dogs, Animals:Pigs etc.
3. Assigning a SKU number that begins with three unique letters, such as your company's initials, and five digits such as SFX00001_BirdChirp as you make them will add immediate organization to your library. The next sound should begin with SFX00002 etc. allowing each sound to be completely unique in title. This sort of numbered titling eases future confusion should you end you with 50 dog barks organized alphabetically.
4. A friendly title for Title is simply intended to inform the buyer on the type of sound like Bird Chirp 1.
5. Since shorter sound effects are generally worth less than longer sound effects it is important to include the Time Length in your metadata so that interested clients know the length of each sample they might license.
6. Track info stipulates whether the sample is stereo or mono as well as the sample rate, bit rate , and file type such as Stereo 48k 24bit .wav which informs the licensee about the quality of the sample.
7. Keywords are very important in letting potentials buyers find your sounds and should not be ignored. They should contain the plurals of the sound, associated sounds, phrases, and even misspellings such as dog, dogs, dog bark, dog barks, bark, barks, dog pack, pack, wolf, canine, wolves, canines, barck, barcks.
The next step after cataloging your sounds according to the above seven steps is submission to online distributors for sale of licensing rights.
First, it is important to choose the correct format for creating your metadata document. Generally an .xls project is the best way to organize your library using each sound as a row and each category as a column. Such a document allows for easy sorting and searching according to type, time length, or SKU number.
1. Broad categories should be used for the first Main Category column such as Animals, Machinery, and Vehicles. Be as minimal as possible in picking the main categories for maximum simplicity and organization.
2. The Sub-Category column is meant to break down each main category into various elements such as Animals:Birds, Animals:Dogs, Animals:Pigs etc.
3. Assigning a SKU number that begins with three unique letters, such as your company's initials, and five digits such as SFX00001_BirdChirp as you make them will add immediate organization to your library. The next sound should begin with SFX00002 etc. allowing each sound to be completely unique in title. This sort of numbered titling eases future confusion should you end you with 50 dog barks organized alphabetically.
4. A friendly title for Title is simply intended to inform the buyer on the type of sound like Bird Chirp 1.
5. Since shorter sound effects are generally worth less than longer sound effects it is important to include the Time Length in your metadata so that interested clients know the length of each sample they might license.
6. Track info stipulates whether the sample is stereo or mono as well as the sample rate, bit rate , and file type such as Stereo 48k 24bit .wav which informs the licensee about the quality of the sample.
7. Keywords are very important in letting potentials buyers find your sounds and should not be ignored. They should contain the plurals of the sound, associated sounds, phrases, and even misspellings such as dog, dogs, dog bark, dog barks, bark, barks, dog pack, pack, wolf, canine, wolves, canines, barck, barcks.
The next step after cataloging your sounds according to the above seven steps is submission to online distributors for sale of licensing rights.
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