Associating data with your finished sound effects products is the final step before submitting your material to sound distributors. This data, called metadata, offers interested buyers information on each sound in your library. Details about the seven main types of metadata to be used when cataloging your sound effects follow.
Finding the right format is the first step in creating your metadata document. The most frequently requested format for metadata is an .xls file with categories in columns and individual sounds in rows. Searching through your sounds according to File Name, or Time Length will be very easy if you use this type of format.
1. Broad categories should be used for the first Main Category column such as Animals, Machinery, and Vehicles. Be as minimal as possible in picking the main categories for maximum simplicity and organization.
3. The next main type of metadata, the Sub-Category, is intended to splice up each main category more specifically such as Tools: Hammers, Tools:Saws, Tools:Screwdrivers.
3. For excellent organization from the beginning, create a SKU number for each sound sample as you make then that begins with three unique letters, such as a personal acronym, and 5 digits like SFX00001_CarHonk. The sample which follows will begin with SFX00002 and so on giving each product a unique name. This SKU method is superior to alphabetical organization, especially if you record multiple versions of bird chirps, for example, over a number of years.
4. The Title is a friendly title to be displayed for the potential licensee such as Dog Bark 1.
5. The Time Length is a valuable piece of information to include in your meta-data because longer sound effects and generally more valuable than shorter ones and the licensee should be able to tell right off the bat how much sound they are licensing.
6. The quality of each sample is given by stating the Track Info which includes stereo/mono information, the sample rate, the bit rate, and file type such as Mono 44.1k 16 bit Stereo .wav.
7. Keywords are very important in letting potentials buyers find your sounds and should not be ignored. They should contain the plurals of the sound, associated sounds, phrases, and even misspellings such as dog, dogs, dog bark, dog barks, bark, barks, dog pack, pack, wolf, canine, wolves, canines, barck, barcks.
After successfully organizing your sound effects according to the seven above characteristics you can market and submit your library to online distributors for profit through licensing.
Finding the right format is the first step in creating your metadata document. The most frequently requested format for metadata is an .xls file with categories in columns and individual sounds in rows. Searching through your sounds according to File Name, or Time Length will be very easy if you use this type of format.
1. Broad categories should be used for the first Main Category column such as Animals, Machinery, and Vehicles. Be as minimal as possible in picking the main categories for maximum simplicity and organization.
3. The next main type of metadata, the Sub-Category, is intended to splice up each main category more specifically such as Tools: Hammers, Tools:Saws, Tools:Screwdrivers.
3. For excellent organization from the beginning, create a SKU number for each sound sample as you make then that begins with three unique letters, such as a personal acronym, and 5 digits like SFX00001_CarHonk. The sample which follows will begin with SFX00002 and so on giving each product a unique name. This SKU method is superior to alphabetical organization, especially if you record multiple versions of bird chirps, for example, over a number of years.
4. The Title is a friendly title to be displayed for the potential licensee such as Dog Bark 1.
5. The Time Length is a valuable piece of information to include in your meta-data because longer sound effects and generally more valuable than shorter ones and the licensee should be able to tell right off the bat how much sound they are licensing.
6. The quality of each sample is given by stating the Track Info which includes stereo/mono information, the sample rate, the bit rate, and file type such as Mono 44.1k 16 bit Stereo .wav.
7. Keywords are very important in letting potentials buyers find your sounds and should not be ignored. They should contain the plurals of the sound, associated sounds, phrases, and even misspellings such as dog, dogs, dog bark, dog barks, bark, barks, dog pack, pack, wolf, canine, wolves, canines, barck, barcks.
After successfully organizing your sound effects according to the seven above characteristics you can market and submit your library to online distributors for profit through licensing.
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