Once you have recorded a large amount of material intended to be used as sound effects, the next step in creating a sound effect library is to edit this raw audio. You will need an audio editing software that will allow you to cut, fade in/out, normalize, and eq your tracks. There are many professional digital audio workstations (DAWs) out there for purchase and also several useful freewares easily found on the internet.
First import all of your raw .wav recordings into the software of your choice. Try to import 40 or so for efficiency, though you may attack one at a time, and solo each track for editing which mutes all tracks except the one with which you are working. Now you are ready to edit your sounds and then bounce them into completed sound effects. The following points will assist the quality and efficiency of your work.
1. The first step is to normalize each sample. This makes the audio as loud as possible by increasing the amplitude of the highest point on your recording to the highest point possible.
2. Secondly, some frequencies may affect the quality of your sound effect and you should use eq to eradicate these sonic culprits. A great sounding bird chirp, for example, may be compromised by an offending air conditioner. But, by cutting all frequencies below 2,000 Hz you can get rid of the AC and keep the lovely bird sound.
3. Once you've gotten a strong and clean as possible .wav file find a good starting point that beings clean and create a nice ending either through a fade out or even better letting the sound fade out itself giving 1-2 seconds of air after the sound effect for the natural reverb to ring out.
4. Bounce your sound down to a 48k 24bit .wav file for video editing. 48k 24bit are high quality files that are valued by sound effect libraries and licensees who pay good money to use sound effects in their productions.
5. In order to increase your amount of products make as many versions of each recording as possible. For example, if a recording has a cat meowing 25 times, make sound effects with one meow, two meows, 5 meows, 8 meows etc. while changing up the combination of meows. This process will easily give you 50 or more sound effects from one sequence of cat meows.
6. You can further increase your number of effects by using pitch shift or other filters on each sound sample. For instance, the sound of a stream can be pitch shifted up to make it sound lighter and less tumultuous and pitch shifted down to make it sound larger and deeper.
A little knowledge of the ins and outs of audio editing combined with the above tips will allow you to easily create professional sounding effects that can be licensed time and time again by multi-media editors and producers.
First import all of your raw .wav recordings into the software of your choice. Try to import 40 or so for efficiency, though you may attack one at a time, and solo each track for editing which mutes all tracks except the one with which you are working. Now you are ready to edit your sounds and then bounce them into completed sound effects. The following points will assist the quality and efficiency of your work.
1. The first step is to normalize each sample. This makes the audio as loud as possible by increasing the amplitude of the highest point on your recording to the highest point possible.
2. Secondly, some frequencies may affect the quality of your sound effect and you should use eq to eradicate these sonic culprits. A great sounding bird chirp, for example, may be compromised by an offending air conditioner. But, by cutting all frequencies below 2,000 Hz you can get rid of the AC and keep the lovely bird sound.
3. Once you've gotten a strong and clean as possible .wav file find a good starting point that beings clean and create a nice ending either through a fade out or even better letting the sound fade out itself giving 1-2 seconds of air after the sound effect for the natural reverb to ring out.
4. Bounce your sound down to a 48k 24bit .wav file for video editing. 48k 24bit are high quality files that are valued by sound effect libraries and licensees who pay good money to use sound effects in their productions.
5. In order to increase your amount of products make as many versions of each recording as possible. For example, if a recording has a cat meowing 25 times, make sound effects with one meow, two meows, 5 meows, 8 meows etc. while changing up the combination of meows. This process will easily give you 50 or more sound effects from one sequence of cat meows.
6. You can further increase your number of effects by using pitch shift or other filters on each sound sample. For instance, the sound of a stream can be pitch shifted up to make it sound lighter and less tumultuous and pitch shifted down to make it sound larger and deeper.
A little knowledge of the ins and outs of audio editing combined with the above tips will allow you to easily create professional sounding effects that can be licensed time and time again by multi-media editors and producers.
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